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“Changed her face so many times, but her smile is there forever” 

(Source: m-trollacicconesboobs, via millaciccone)

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Attention all nerds! Big #lego #yoda? Yes please! #starwars  (at Oakridge Centre)

Attention all nerds! Big #lego #yoda? Yes please! #starwars (at Oakridge Centre)

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The best of Robin in Batman (1966)

(Source: smellathan, via vintage-visuals)

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maccosmetics:

M·A·C is backstage in Brazil, with a close-up of the explosive acrobatics and artistry at Cirque du Soleil’s Corteo. Photos by Gustavo Scatena.

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Mother’s Day lunch with the ladies in my life.  (at Domaine de Chaberton)

Mother’s Day lunch with the ladies in my life. (at Domaine de Chaberton)

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madonnaspussylicker:

Yaaas QUEEN! provide me with everlasting LIFE.

YES!

madonnaspussylicker:

Yaaas QUEEN! provide me with everlasting LIFE.

YES!

(Source: amen-madonna, via madonnascrapbook)

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Best show I’ve been to all year :)

(Source: twinkest, via hightensions)

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beautyandterrordance:

Dr. Jekyll and Mr. Hyde (1931)
The remarkable Jekyll to Hyde transition scenes in this film were accomplished by manipulating a series of variously colored filters in front of the camera lens. Fredric March’s Hyde makeup was in various colors, and the way his appearance registered on the film depended on which color filter was being shot through. During the first transformation scene, the accompanying noises on the soundtrack included portions of Bach, a gong being played backwards, and, reportedly, a recording of director Rouben Mamoulian’s own heart. Only in the late 1960’s did Mamoulian reveal how they were done. (via)

Its a remarkable special effect for the 1930s!
https://www.youtube.com/watch?v=uN4Di8DEPf8

beautyandterrordance:

Dr. Jekyll and Mr. Hyde (1931)

The remarkable Jekyll to Hyde transition scenes in this film were accomplished by manipulating a series of variously colored filters in front of the camera lens. Fredric March’s Hyde makeup was in various colors, and the way his appearance registered on the film depended on which color filter was being shot through. During the first transformation scene, the accompanying noises on the soundtrack included portions of Bach, a gong being played backwards, and, reportedly, a recording of director Rouben Mamoulian’s own heart. Only in the late 1960’s did Mamoulian reveal how they were done. (via)

Its a remarkable special effect for the 1930s!

https://www.youtube.com/watch?v=uN4Di8DEPf8

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(Source: fatfook, via wilwheaton)